Tuesday, March 24, 2015

From the Vault: Lies We Tell Ourselves

From the Vault: Lies We Tell Ourselves — Blue Ink Alchemy

Since writing this post three years ago or so, I've discovered that the 'little voice' I refer to below comes from what I've come to call the 'badbrain'. I will go into more detail later, perhaps in another place, but suffice it to say that, no matter what its motivation, the badbrain is a decidedly not-me portion of my thought process that I am learning to interpret, internalize, combat, and ignore. Hopefully this post will help someone with a similar affliction deal with their own 'little voice'!
Courtesy allthingshealing.com
I've been trying to puzzle out where, exactly, the 'little voice' comes from. You know the one I mean. When we work, when we strain ourselves, when we step outside our comfort zones or make time for something significant, that's when you hear it. It isn't intrusive and it isn't even all that whiny, but it's always trying to discourage us. The discouragement isn't always malicious. At times, it can sound downright helpful. It will remind us of upcoming appointments that will keep us from reaching our projected end point. It will point out how much this set of joints is aching or how deep the burning sensation in our chest is going. It brings up mental images and passages from other works that play in the same fields we do and are already successful where we are still struggling. In the end, though, the message boils down to putting what we're doing aside, stopping before we hurt ourselves... quitting. It is, of course, a pack of lies. Yes, there are only so many hours in the day. Yes, there are limits to what our bodies can do. But those limits only remain as long as they are not pushed. The hours in our day are not fixed; we can move things around to carve out the time we need to do what we want. It really is a case of mind over matter, of responding to the 'little voice' saying "Thanks, but no thanks, I got this." I'm still not entirely sure why we lie to ourselves in this way. We try to talk ourselves into not giving our all, not striving for our goals. We succeed in not straining ourselves, and in doing so, we set ourselves up for failure. Why any rational, sane human being would willingly do this is a mystery to me. The best I can come up with (being a total amateur at this sort of thing) is that it's a defense mechanism. The body and our perception of time and exterior influences generate reactions, and at times these reactions happen more quickly than our minds can fully process them. Think about it; I'm sure many a time you've looked back on yesterday and said, "Oh, I actually would have had time to do X if I had held off on doing Y." We opt for the comfort and ease rather than delaying our satisfaction in order to move closer towards achieving a goal. It's the same sort of reaction that tries to get us to back off from physical exertion. If you're 'feeling the burn' and trying to push yourself towards a goal - five more minutes, five more pounds, reaching the end of the block at a jogging pace rather than a walking one - your body will try and tell you that it's more trouble than it's worth. That it's time to ratchet back a bit. Take a break. Go easier on yourself. Since it's inside your head, it isn't impolite to tell that voice to fuck directly off. Unless you're in real danger of hurting yourself, unless you're taking time away from truly important things like family or you're in jeopardy if missing a deadline that could cost you a lucrative job, kick that little voice's ass. Test your limits, to see if you can break them. Carve out the time you need, in bloody chunks if you have to. The envelope is there to be pushed - push the hell out of it. It's easier said than done, I know. But when you're in the moment, when you're on the cusp of achieving something or reaching a goal, and you start to feel that little voice tickling your mental ear, that's when you engage your mind and simply say, "No. I will not lie to myself. I will get this done. I can rest after it's over." And no matter what the cost is, you'll feel better in the long run.
Blue Ink Alchemy

Monday, March 23, 2015

Flash Fiction: The Wreck

Flash Fiction: The Wreck — Blue Ink Alchemy

It's been too long since I've gotten in on the weekly Flash Fiction Challenge over at Terribleminds. Chuck double dog dared us to write 100 words exactly of original fiction. Here's what I came up with.
I start to wake up. I remember a lot of noise. I'm on my side. Glass is everywhere. I smell gas. Blood. I hear a voices. More noise. Hydraulics whine. Dark hands reach for me. Bright eyes in a dark face look on in concern. Part of me reminds me I'm supposed to be repulsed. They're inferior, says my father's voice. That's why they were slaves. That made sense this morning. The black woman says I'll be okay. I start passing out again. A woman's place is in the home, my father goes on. Yet neither of us are there.
Blue Ink Alchemy

Thursday, March 19, 2015

When Will Words Come?

When Will Words Come? — Blue Ink Alchemy

Courtesy floating robes
Courtesy Floating Robes
Writers have to write. Just the way that runners have to run, or smokers have to smoke, or brokers have to... broke? Break? Something involving breaking. Anyway, writers are compulsory creatures and writing is a compulsion. It's felt under the skin. It's an itch in the fingers, a burning behind the eyes. The fires of the creative mind of the writer are stoked continuously, and without release, the pressure builds to a fever pitch, and the next thing you know the writer is taking chunks of the desk with their teeth because they need to write, dammit! But writers are also human beings. At least, they are until we perfect the AI that can write novels as well as our current novelists. That means they have things like hunger and depression and anger and distractions and fear and the Internet and bills and porn. A million tiny things can add up very quickly to an obstacle that the writer struggles to surmount, a wall between them and the words. Other than smashing that motherfucker down, what is the writer to do? What do you do when the words don't come? The advice I am about to give is, admittedly, advice I need to take myself. And it is influenced heavily by other writers. I am going to delineate it here anyway, because it is my hope that in doing so, my own walls come tumbling down and the words start flowing again. It's getting backed up pretty bad in here. Kind of starting to stink.

Forget About Yesterday

A big part of what can get in the writer's way is the writer themselves. Mostly, in the form of looking back over the past day or week and seeing all the words that didn't get written. Production time is lost, due to research of legitimate related topics or 'research' on the optimum build for a Diablo III character or the exact taste of a new kind of beer. Some writers don't write for a living and need to hold down dayjobs, whose work and commute and responsibilities suck time and energy away from writing the way a vacuum removes dust from lush carpeting. The dayjob also removes things like eviction notices and angry phone calls, but there's always some good with the bad. Regardless of circumstances, the best thing to do is to simply forget about the past. Yes, mistakes have been made. Blunders happened. Forget about them. Leave the past in the past. You only have three temporal perspectives to consider, and I would argue that the past matters the least. Sure, it's regretable that certain things didn't happen certain ways. That was yesterday. Today is happening now, and there is always tomorrow. Or is there?

Tomorrow's An Illusion

Tomorrow isn't here yet. You're not in it. You won't be for hours. It is, quite simply, not real. It is going to be real, yes. And you can plan for what might happen or what is going to happen. Sure, no plan remains fully intact once contact is made with the enemy, and the writer's enemies are many and varied, as mentioned above. But the fact of the matter is, time spent planning for tomorrow is time you could be spending writing today. So, forget about the past, and fuck waiting for tomorrow. What's that leave you? Come on. Take a guess.

Write Today. Write Now.

If you remove the other two temporal perspectives, you're left with the present moment. It is really the only moment over which you have direct control. Previous moments are immutable, and moments to come are illusory. NOW is the time you inhabit, NOW is the time in which you can wrest destiny away from forces outside of yourself, and NOW is the time to write. Again, this is advice I need to take myself, and I need to keep taking it every day. I can plan for ways to make it easier for me to do so: get up earlier, get more sleep, stress less about the job, increase energy with changes in diet and exercise, and so on. But right now, in this moment, the choice is really a binary one: write, or don't write? It really is as simple as choosing "write" more often than not. Because that's how stories get told. That's how dreams come true. That's how writers change the world.
Blue Ink Alchemy

Tuesday, March 17, 2015

Interference

Interference — Blue Ink Alchemy

There are a lot of things I want to say. Work regarding my words is, I feel, egregiously being left undone. Forward progress I want to be making in my actual, passionate career simply is not happening. I am physically capable, and mentally as well, but circumstances are such that I simply cannot say or do those things. Time, energy, and opportunity continue to be out of joint. And it's kind of pissing me off. My patience for excuses is pretty much expended. The queasy feeling in my guts is more perturbation than concern. I cannot and will not accept this state of being as the status quo. These are conditions under which I refuse to live as a matter of course. When you get interference in your plumbing or electricity or entertainment vectors, you call for a repair person. When you get interference in your life, it's a bit more complicated. But the need is no less urgent. So where's my metaphorical pipe wrench? I've got some fixing to do.
Blue Ink Alchemy

Monday, March 16, 2015

From the Vault: Use Your Anger

From the Vault: Use Your Anger — Blue Ink Alchemy

Here's a "Breaking Writer's Block" post from a few years ago. I've been finding myself a bit more irritated of late, for many reasons. I need to remind myself that anger, in and of itself, is neither good nor bad; what we do with our emotions is what matters. Also, the below works more for journalism and blogging than it does for writing fiction, at least for some/most authors.
Palpatine
Let's try an experiment, shall we? Most people who swing by this place have at least a passing understanding of Star Wars. You know that prequels to the original classics exist. Maybe you believe they're abominations. Maybe you think Lucas is a genius and the prequels are under-appreciated gems that outshine the originals. Maybe you think the entire debate is stupid and we should stop wasting our time. Bottom line is, it's likely to get your irritated, if not angry. Good. Write about it. We're taught by some that anger is a bad thing and should be tightly controlled, hidden away, what have you. Sometimes we're told that our emotions are detrimental to others and we shouldn't give voice to them. Being emotional can come off as whining or complaining or generally being shrill and attention-seeking. Better for the world at large, the argument could be made, if one simply clamps their mouth shut and goes on about their business like nothing's wrong. Tell that to the millions in the streets over in Iran right now. Anger isn't necessarily a good thing, but it's not entirely bad, either. It's inspiring. It moves people to action. What action that is determines if it's right or wrong. Twittering "I'm angry about X" is, in the long run, healthier than going out and burning down the house of whomever you're angry at. You don't even have to do it in public. Find a piece of scrap paper, grab the nearest implement of writing destruction, and dash out a quick wrathful line or three. Tuck it in your wallet or destroy it, but at least it's out now. Emotional constipation is a quick way to put yourself in a very bad spot, and possibly in need of professional intervention. Trust me on this. If you do post your thoughts publicly, be prepared to endure some flak. You're going to be told, and perhaps rightly so, that when life hands you lemons, you should "shut up and eat your goddamn lemons." And while this is true, as is the more eloquent illegitimus non carborundum, you shouldn't let dissenting opinions stop you from expressing yourself. Again, look at Iran. In the eyes of the conservatives that tightly grip the leadership of that nation, millions upon millions are letting their voices be heard and don't give a damn of the threats made upon them by the opposition. If they were taking up arms or starting insurgencies they'd be soundly condemned, and rightly so. But they're not. They're mad as hell and they're not going to take it anymore. Neither should you. Just remember what Oliver Wendell Holmes said: "Your right to swing your fist ends where the other person's chin begins." Use your anger, clean out the negative and the dark, and move on unfettered by those useless and detrimental feelings. Who knows? Maybe in the aftermath of the cleansing fire you'll find something you can use for a piece that isn't so emo you can almost hear the Depeche Mode soundtrack.
Blue Ink Alchemy

Thursday, March 12, 2015

Me And My Spider

Me And My Spider — Blue Ink Alchemy

Courtesy Vertigo
As of yesterday, I finally have a complete set of Transmetropolitan. When the final volumes arrived, and I got home to pick them up, I immediately stretched out on the couch to finish reading the series. Then, last night, I started reading it again. I'm planning on reading through every trade paperback in sequence once a year going forward. Why, you might ask? Well, for one thing, it's absolutely brilliant. For those of you who don't know, Transmetropolitan is a story set somewhere in our future. It's an interesting future. It isn't a good one, like Star Trek, nor is it a terribly bad one, like so many dystopias. Sure, there's an underclass and poverty and police brutality and incredibly corrupt politicians, but we have that now. There movements for human rights and outraged citizenry and sex on street corners and incredibly inane television, but we have that now. What we don't have is the technology to rearrange matter on an atomic level or the ability to download ourselves into nanotech cloud-bodies. We also don't have Spider Jerusalem. Maybe that's a good thing. Spider's kind of like if Hunter S. Thompson came back from the dead and came back incredibly fucking pissed. Short, angry, blunt, manic, and unpredictable, Spider is described as an "outlaw journalist". He barely tolerates rules regarding decorum or rights to privacy, as such things can get in the way of the pursuit of Truth. His column is absolutely scathing, completely undiluted, and takes no prisoners. His writing and his character make for an extremely compelling read. On a deeper level, though, I have to say that I understand Spider Jerusalem pretty well. Part of that is because Spider needs to write. It isn't a profession or a hobby, it is a compulsion. Seriously, his necessity for expressing himself and pursuing Truth in the written word is only slightly an exaggeration of that of many writers. And he does with that need what all successful writers must do: he writes. Even when it's hard, especially when it's hard, he puts himself in front of his machinery and he produces words. His two-fisted editor knows how to get the work out of him, with four little magical words: "Where's my fucking column?" In that regard, I envy Spider, and I see a level of production I wish to attain, which is the second reason why I want to read Transmetropolitan every year. Inspiration. Not just for writing in general. I also get inspired to keep an eye on the Truth. Spider comes across as a very angry, bitter, cynical man. He pursues religious bigots and political powerhouses alike, with boundless zeal and merciless brutality. He'd be the first to break down why the tenets upon which your entire life has been built are absolute bullshit, and why you'd do the world a favor by jumping into an industrial wood-chipper right goddamn now. But he'd only do that if you're an asshole. Spider, under all of the bluster and bravado, is a good person. He wants what's best. He wants what's right. He wants the Truth. And he will do what it takes to make sure the Truth wins out, no matter what. While I envy and admire Spider in several ways, though, I won't be shaving my head or getting an excessive amount of tattoos any time soon. A very dear and close friend of mine describes Parks & Recreation's Ron Swanson as "my favorite person I wish nobody would try and emulate." I see Spider in a similar way. I don't want to be Spider Jerusalem, nor would I want anybody close to me to try and be him, either. I'd be glad for his presence, sure, but I can't see him interacting with people around me on a daily basis in a way that's conducive for staying out of jail or keeping my genitals intact. I'm going to read Transmetropolitan every year because it's brilliant, it's inspiring, and it keeps the spirit of Spider Jerusalem fresh in my head. People talk of having angels or devils on their shoulders. I think, sometimes, Spider perches on mine. He's definitely on my shelf. Kind of like Bob from The Dresden Files, only instead of inhabiting a skull, Spider just ambles around my bookshelf. I see him being about six inches tall (which he hates). He's smoking up a storm (not that I can smell it, his cigarettes are tiny). He's glaring at me. And when I write something that isn't to the best of my ability, he starts spitting nails and curse words and implications regarding my mother's virtue at me. Spider's never one to mince words. And I know he's angry because he gives a damn. The anger isn't the point. What you do with that anger is the point. Do you sit back and complain at the television? Or do you wing your bottle at the damned talking box, grab your bowel disruptor and filthy assistants, hit the streets and do something about it? Spider taught me that. And right now he's telling me we both need some goddamn coffee.
Blue Ink Alchemy

Wednesday, March 11, 2015

Control+S

Control+S — Blue Ink Alchemy

ON FIRE.
Folks, it is very, very important to save your work. After a harrowing and edgy day of front-end coding work, I came home and wrote. I did some other things, first: watched the rest of a movie I'd started the other night, checked in with friends, got some food. But I finally returned to what I want to be doing, what brings me the most personal joy when I accomplish it, and what people have told me is perhaps my greatest skill: I started telling stories again. Eventually, I got tired, and decided sleep was what I needed, leaving the computer on but turning off the monitors. I forgot to hit Control+S on Notepad++ to save my work. Windows, in its infinite wisdom, decided to automatically restart itself to install yet another critical update. I've been doing that manually every day for weeks, now. I guess that's part and parcel of running Windows 7 on Balthazar. Anyway, I woke up to find the damned thing prompting me for my login information, and my heart sank into my stomach. Now, all told, it wasn't a lot of information. 100 words, tops. But it was the principle, the idea. I haven't done a Flash Fiction challenge in weeks. It's been a struggle to have the energy and focus upon returning home to sit down and really make words happen. Rising to the challenges presented by the dayjob is taking a great deal out of me, and it is not in my nature to hold a great deal back for myself. Not when expectations are so high. I'll see if I can manage it again tonight. And hopefully, this time, I'll either write the whole thing out, or remember to save my damn work.
Blue Ink Alchemy

Monday, March 9, 2015

Energy Ebb

Energy Ebb — Blue Ink Alchemy

Change, even when it is welcomed, can be difficult. I'm not just talking about daylight savings time, and losing an hour of potential sleep to an antiquated means of preserving candle wax or lamp oil. I'm referring to the fact that on top of the new dayjob, and all of its responsibilities and pressures, I have other aspects of my life that demand my attention and engagement. Once I get myself home and I have the time to catch my breath, I find myself with very little energy to take time for myself, be it in writing or gaming or anything of that nature. Lately, I have simply felt too drained to invest much time or attention in anything solely for my benefit or advancement. Even writing out this particular blog post feels like a luxury; I should already be making the coffee I'll need to fuel my coding endeavors for the day downtown. Hopefully this is a temporary state of affairs and I'll strike a more palatable work/responsibility/life balance soon. Until then, I'll do what I have to do. Expectations are damned high, but I've been enough of a disappointment already in my life, and I'm doing my utmost to not be one anymore.
Blue Ink Alchemy

Friday, March 6, 2015

500 Words on CSS

500 Words on CSS — Blue Ink Alchemy

Courtesy Keytechinc
Cascading Style Sheets are not exactly in my wheelhouse. They're kind of in the supply shed next to my wheelhouse. They're right next to what I work with and I am familiar with them, but they aren't what I work with all the time, and the nature of working with them slows me down quite a bit. I can do it, sure, and I can even produce results that are aesthetically pleasing. But it's meticulous, exacting work, and continuously having to run between my wheelhouse and the shed take a lot out of me. Don't get me wrong. I vastly prefer using CSS to laying things out in Photoshop or even Flash. One of the advantages of the dayjob work I currently do is that 95% of it is happening on the code end of things. All I need is Notepad++, FileZilla, and a few browsers for testing. This method allows me to assault my problems from an angle that makes sense to me. In terms of programming, I'm a little bit on the ancient side. I never got into some of the more hardcore languages like C, Python, or Perl, but back in the day, I hammered out some programs in BASIC, and my first few forays into web design were pure HTML constructs, before the advent of CSS or JavaScript. I think that's where a lot of my approach comes from. I use automobile analogies a lot when I describe online programmatic approaches and challenges. For example: if I were working with cars instead of computers, I would be more concerned about the inner workings of the engine, transmission, and even the sound system, rather than the paint job, flares, or rims. I can do it - I know my way around an airbrush rig and the sockets for the rims - but I much prefer being elbow-deep in engine grease and pistons. I've worked for a great firm called Twelve23 for two weeks, now, and the experience has been a good one. I don't drive to work - it's walking and the light rail, for me. I have access to Belltown, a nice little portion of downtown Seattle. When things feel intense or problematic, I can duck out and walk up the hill, and catch sight of the Space Needle. It's relaxing and a comfort, in all honesty. I have to remind myself that out here, things are different. I'm used to the pace of the east coast. Everything is more immediate out there, at least in my experience. Workplaces are more intense. Stakes are high and the edges are sharp and jagged. It seems smoother, here. It could just be me, but the environment here is much more amenable to my pace of work and my outlook on priorities. I'm no slacker, and I'll do what must be done, but I need to remind myself that taking care of myself is important, too. And now I've gone 487 words without mentioning how I'm not at PAX East this weekend and that SUCKS.
Blue Ink Alchemy

Wednesday, March 4, 2015

Whups, Missed A Day

Whups, Missed A Day — Blue Ink Alchemy

Courtesy Matt Groening
Okay. I said last week that this week the normal blogging schedule would resume. But for various reason that do not bear divulging on this particular outlet (which is why I maintain others), things have gotten in my way. I've been struggling to find more time and energy for more writing, and the emphasis here is on 'struggle'. The rhythm of the dayjob and the internal ebb and flow are making things difficult. Anyway, I'm not giving up, and I still have my focus on making the words happen. It'll just be happening after these messages. And a few more lines of code. And this beer.
Blue Ink Alchemy

Monday, March 2, 2015

Code Author By Day

Code Author By Day — Blue Ink Alchemy

code
For a while I've described myself as a "code author by day, genre author by night." In truth, there hasn't been a lot of legitimate code writing in previous positions. Most of my work has been maintenance: change this color, update this copy, move this graphic three pixels to the left, animate this 20% more smoothly, make these letters "pop" more. And now, after months of hunting down a dayjob to keep the roof over my head and the electricity running to the facilities I use to store my work, I've started working in an office where there should be less of that, and more actual code authoring going on. I am working as hard as I have ever worked. I am getting in on the ground floor of a great opportunity. But that is still not enough for me. While I now walk to and from work every day (with a train ride in the middle), I want to return to running. I will be looking into doing more blues dancing, studying fencing, and possibly signing up for the CrossFit not far from my house. I have a line on a good learning guitar, and I'm on the lookout for an inexpensive musical keyboard and a cheap road bike. And in the midst of all that, I need to keep writing. Once I get caught up with bills and debt, I will be putting Bloody Streets into production. I have the new novel that has been begging patiently for my attention. I have a few other creative endeavours I want to expore, suss out, and possibly put into practice. Hopefully it won't take me too long to get into the groove at the job and hammer out the time around it for working on writing and whatnot. And this is all on top of everything else going on in my life right now. Hopefully I will be back to normal posting at this point. Thanks for keeping an eye on this space.
Blue Ink Alchemy